In 2014, Williams and two others produced a biopic on the early 2000s R&B artist Aaliyah, entitled Aaliyah: The Princess of R&B. The biopic attracted much controversy as Aaliyah's family neither consented nor authorized the use of Aaliyah's image or her material for the biopic. The film also romanticized the hebephilic relationship and subsequent illegal marriage of the young singer and R. Kelly, who in 2019 was indicted of 10 counts of aggravated criminal sexual abuse, obstruction of justice, and 18 federal counts, including child pornography, kidnapping and forced labor, as of July 12, 2019. Critical reception to Aaliyah: The Princess of R&B was predominantly negative.  Jon Caramanica of The New York Times panned the film, criticizing it as "ham-handed" and "underwhelming" and writing "Condensing the singer's life into such a short space requires a cruel knife and, in this case, a wildly imprecise one. A good film doesn't show its seams. This one — based on Aaliyah: More Than a Woman, a biography by Christopher John Farley — is mostly seams. Much of the acting has dull edges, and the screenplay is aggravatingly stilted. " The Wall Street Journal also criticized the film, commenting that the "overuse of the three and four-way split screen montages only enhanced the lack of material. " Viewer reaction for the film was similarly extremely negative, and fans mocked the film on social media websites, using the hashtags #LifetimeBiopics and #LifetimeBeLike.